The API 2500 is a versatile stereo bus compressor that allows adjustment of sonic qualities that can alter the punch and tone of the stereo mix. It is set up for stereo compression, but can also be used as two separate units via a single compression setting.
The AD2044 features 100% discrete, pure class A signal amplifier configured with high speed current monitored optical control elements. These "invisible" opto elements enable the AD2044 to deliver totally transparent, low noise gain reduction within...
Audio compressors that use a light source to control a Light Dependent Resistor (LDR) are not new, and indeed there are many classic optical compressor designs. The design goal of the SOC-1.1 was to further enhance the...
Beim CharterOak SCL-1 Discrete Compressor wurde viel Wert darauf gelegt den Charakter des Audiosignals beizubehalten. Der Kompressor ist extrem transparent - kein Pumpen, kein Höhenverlust - und eignet sich ausgezeichnet für akustische Instrumente und...
The Distressor is an automatic gain (or volume) control device (AGC in engineering terms) designed for pro audio (music) applications. Basically, it electronically controls the volume of just about any...
The Distressor is an automatic gain (or volume) control device (AGC in engineering terms) designed for pro audio (music) applications. Basically, it electronically controls the volume of just about any...
The EL7 FATSO is a modern digitally controlled analog device that offers many of the "musical non-linearities" exhibited by the older tube, class A discrete, and magnetic tape mediums. This two...
The Model 2030 Mastering Dynamic Gain Control is a precise tool for mastering and other critical applications where the utmost in control, flexibility, and transparency is demanded.
The ASB is designed to control the amplitude of an audio signal that is passed through it while imparting virtually none of the sonic artifacts traditionally associated with compression and limiting. In short, our intention is that it does not have a sound, though we...
Famous amongst professionals for making a vocal sit in a mix without the need for vocal rides, it imparts a wonderful character without sounding "tubby." The elegant way in which it controls transients makes it a must have in the studio
SLAM! stands for "Stereo Limiter And Micpre" and it pretty much describes what it will do to most VU meters. We had to put a switch on this limiter to drop its internal VU meters down 3 & 6dB to keep...
SLAM! stands for "Stereo Limiter And Micpre" and it pretty much describes what it will do to most VU meters. We had to put a switch on this limiter to drop its internal VU meters down 3 & 6dB to keep...
The MANLEY VARIABLE MU® LIMITER COMPRESSOR is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next.
The MC77 supercedes the MC76 re-engineered 1176 type FET Limiter. The MC77 recreates the audio circuitry of the revision E 1176, using modern components matched to the original.
The Retro Instruments STA-LEVEL is a replica of the legendary 1956 Gates STA-LEVEL. The STA-LEVEL dominated the sound of hit radio in the 1960's. Now these super musical sounding compressors have found their way into today's hits. The Retro Gold Edition celebrates...
Derived from the optical section of it's behemoth big brother, the Shadow Hills Mastering Compressor, the Shadow Hills Industries Optograph is a no-compromise, stereo optical compressor, with quality and character on-par with the sought after esoteric compressors of...
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